The next stage in our planning process was to find some actors and plan how we will present them. For our film idea, we need a young girl, a mother and a male figure. We shall also play on stereotypes in order to emphasise the age of these characters.
The Young Girl…
Our main character is a vulnerable, cute, young girl. Emelia and I were determined to find an age appropriate actress for this role as it would make the film a whole lot more believable. We wanted to play on her cuteness and vulnerability so that the audience will empathise with her more and will be more shocked towards the end of the opening. Due to her age, Emelia and I thought that it would be more appropriate to approach her mum for permission to be in our film. Before filming, Emelia and I went round to her house to speak to her mum. Firstly, we explained the plot of the film and what Rosie’s position would be in it. We then explained where we would be filming. Rosie’s mum was very supportive and Rosie’s elder brother, Tom, came with us in order to allow Rosie to feel as comfortable as possible. We decided to dress the young girl in a cute, girly, purple dress with purple tights. Although this effectively displayed her innocence and vulnerability, we did not think this through as the young girl is supposed to wake up at the beginning of the film and it is not believable for her to wake up already dressed. We also put Rosie’s hair into two pigtails as we believed that this is the most stereotypical, young girl hairstyle. We then secured the two pigtails with a matching purple ribbon; this made her seem even more cute and naïve. Another reason as to why we put Rosie’s hair into pigtails is that we wanted to focus on continuity. Having her hair in pigtails allowed us to control the hair so that it was the same in each shot. We then asked Rosie to bring her Wellington Boots as we felt a shot of her pulling on her boots would seem innocent and vulnerable. Here is a photograph of Rosie on the first day of filming…
Originally, Emelia and I planned for my mum, Aly Pearce, to play our dead mother. I asked her and she was happy to help. However, she had to go on a last minute trip to Yorkshire the night before our filming day. Because of this, Emelia and I knew that we would not be able to have an age appropriate actress; this meant that the costume would be all the more important. When stressfully trying to find an actress, one of my closest friends offered to help. I took her up on the offer and was relieved to have found someone willing to help! Our plot revolves around the idea that the mother was taken from the house either in the night or early morning; this means that she must be wearing some form of pyjamas. Emelia and I decided that it would seem more appropriate and stereotypical if she was wearing a fluffy, blue dressing gown as this is a garment that many mothers wear around the house. We decided on her having bare feet as this is something that would add to the effect that the mother was not intentionally going to go outside and so she must have been taken there against her will and murdered. We also decided that the contrast between wearing a protective dressing gown and having bare, exposed feet would add to the mystery and strangeness of the situation.
The Mysterious Man
At first, Emelia and I planned to include a shadow like figure at the end of our film opening. Rosie’s elder brother, Tom, offered to play this role. This was perfect as he is extremely tall. From our survey, people suggested that the villain should be tall and wear all black clothing. Because of this, Emelia and I asked Tom to wear all black as this would show that he is the villain. However, in the end Emelia and I decided not to include this character in our film opening as it gave too much away for just the opening.